CEAP TamiMartins DESIGN, INDUSTRY AND Ainfluncia GRAPH of the artistic movements Industrial after-Revolution in the Graphical Design Macap/Ap 2009 SUPERIOR CENTROENSINO OF the AMAP CEAP TamiMartins DESIGN, INDUSTRY AND Ainfluncia GRAPH of the artistic movements Industrial after-Revolution in the Graphical Design Work of disciplines of Graphical Design, doCurso of Design, Offered for College CEAP. Macap /Ap 2009 SUMMARY the DesignGrfico, as well as many of the professions that exist, appeared to break danecessidade to have in definitive contexts a solucionador individual quesuprisse the requirements and the demands faced for the man. thus comomuitos of the concepts and sciences, was not discovered or established and yes it evolved primitive deconcepes until the complex elaborated one that is today. Esteartigo deals with some of the main movements of aesthetic character, politician, artistic and functional that from the phenomenon of industrialization had come to aconceder to> Graphical Design important participation in the formation and definition daprofisso, beyond its paper as transforming agent in the way which seinseriu in centuries IX and XX. I INTRODUCTION ' ' Since daily pay-history, the people have looked ways to derepresentar ideas and concepts visually, to keep knowledge graphically, and to give to order and clarity to informao& The individual that brings structural order eforma to the communication printed was called Graphical Designer only in 1922.

Noentanto, designer graphical contemporary is inheriting of one ancestralidadeclebre.' ' Quotation Philip Meggs in its AHistory book of Graphic Design, where it explores this the artistic source of the Design, its origins, importance and movements, social politicians and who had influenced oDesign graphical and its conception until the current days. Meggs is part deuma recent tradition of historians who had concluded that the form as secompreende the history of design graphical does not depend on the traditional structure dHistria of the Art. (WIKIPDIA, 2009) However as well as the history of the art it starts to be mounted in the caves, odesign graphical shares dates and events that would come to influence suaconcepo and definition.

This parallel between the differential queos products and its medias had to take and the fine public intellectually eas raw materials that now occasioned the necessity of new forms decombinao and sources, can very equalize it well situation of the Design Grficona time. To take care of to one I number greater of production and impression, the custosmenores, attracting more attention, with resources in I begin of efcil legibility understanding, was that the conception of that it stops becoming modern, the DesignGrfico it would have to prioritize the sources initiated for the Art Nouveau, functional decaracterstica the graphical part, and was reinventasse not more abolishing the adornment eos ornaments, giving attention to the decorative one, and yes to the useful functionary and. When then the forms before organic and ornamental passama to be composed for figures of geometric character, the singularity of the lines eda visual clarity starts to be explored, and the colors take significadona new expression of the graphical part, appearing from there the principles of the estilosmordenistas that we will explore to follow. IV the INDUSTRY BURROW the MAN, OHOMEM BURROW the INDUSTRY the Europe of century XX, thanks to the advances tecnolgicosproporcionados for science, the industry, and the cartersociopoltico revolutions, as the change of the democratic systems, socialist ecomunistas, witnessed the changes that the industrial revolution brings aocotidiano of the individuals. Now ' ' produto' ' , ' ' maquina' ' ' ' indstria' ' eramtangentes at the hands of the same ones. They had cars circulating for the streets, rdiocomo media, and innumerable products manufactured in the houses. The technological progress, now visible, return-went entoinspirao pra the creative revolutions movements that would come to appear. Adopting the concepts of the movements predecessors, adaptando them they contextoem for it that the Europe if found now, but attributing also novascaractersticas, total related to the partner-technological environment that osincitara.